The Red King's Dream
by Jo Elwyn Jones & J. Francis Gladstone
(Jonathan Cape London, 1995).
The Alice
Companion (Macmillan,
London 1998 & New York University Press).
(notes on other books, see the
bottom of this article).
In 1976 Jo Elwyn Jones, my partner
and wife, gave a talk to the
History of Science Department at Harvard where she
worked. It was around the idea that Charles Darwin
of evolution fame was satirized by Lewis Carroll as
the Bulldog in Alice in Wonderland. Broadly
she had the idea that some of the 'characters' in
the two Alice books were based on real individuals
within the Oxford University orbit where Lewis
Carroll taught and Alice was the young daughter of
his head of college, Dean Liddell of Christ Church.
Prior to her, the English poet,
Walter de la Mare, has made similar suggestions. The
Alice stories had satire hidden within them. And the
girl and man were close by. Darwin sent his acolyte
and colleague, Thomas Henry Huxley to debate
evolution with the Bishop of Oxford Wilberforce.
Carroll spun these tales and people the intelligent
little girl ran -- the Liddell parents held a
central place in British life.
In the mid '90s I worked as back
up to Jo Elwyn Jones to propose a book based on
these ideas. Our agent, Andrew Best, secured a small
paying but prestigious contact with the publishers
Jonathan Cape. Central to this was Tony Colwell,
previously a publicist who made his name with the
James Bond books at Cape.
The Red King's Dream seemed
to be OK. It was written around travels and
encounters Carroll and Alice made. We tried not to
be too assertive in our views about the real
Victorians mirrored in the 'characters', Darwin
(bulldog), Huxley (Ugly Duchess), the then
ultra-famous children's writer Charles Kingsley (Mad
Hatter), Red King (Alice's imperious father)....
Jonathan Cape publicized it and us, only for the
book to run into a critical fire storm. Humphrey
Carpenter was the co-editor of the respected
Oxford Companion to Children's Literature.
He hated our book and, contrary to
publishing convention, before it was available
damned it in the lead review in the Sunday
Observer. To some Alice is sacred as pure
fantasy and those critics cannot bear the idea that
the books are anchored in real life observations.
The damning review was feared by Tony Colwell, our
editor and ex-publicist. Other reviews followed
Carpenter although later reviews in more academic
journals were glowing. The book sold tepidly. Oh
dear!
I think we failed to appreciate
how out of order we were with many Alice devotees.
When you write about Carroll and the little girl his
mother asked him to photograph unclothed... you run
into weirdness find yourself defending the hapless
Carroll as not being a pedophile. So it goes.
As a result of the book we did
have a prestigious, even if also minimally paying,
offer. Macmillan had published Carroll, made a lot
of money for him and for themselves and asked us to
provide a companion for the centenary of his birth
in 1898.
Both The Red King's Dream
and The Alice Companion are available on
Abebooks.
Later we sold a lot of copies of
the books and many prints and cards of Alice with
our captions. Perhaps too much is written about
Carroll and Alice. The fact is that it sells and
sells and sells. Our assertion would be that it is
not pure fantasy. Even if people do not make the
link between the (now obscure) Charles Kingsley and
the Hatter at the Mad Teaparty, the character, the
Hatter, is to us 'real', mad, outspoken, odd,
egotistical and real.
And the sad pedophile assertions?
Alice's mother (one of the imperious queens, white
or red) was assertive and defensive of her many
children to a high degree. Carroll desired this
lively minded and lovely child? Of course he desired
her. He created one of the great landmarks of
English and comic literature from her being real.
Carroll desired her, surely, and he did the opposite
to abusing her. He made her unforgettably
inquisitive and charming.
A footnote: Alice grew up to be a
stolid woman who made a marriage to a man who sought
a life playing cricket and hunting as a way of using
his industrial fortune. She and Reginald Hargreaves
married in Westminster Abbey, then lived in grand --
and suffocatingly dull -- style. Hargreaves died in
1923, the money ran short in the depression of the
1920s. To help she sold the treasured manuscript of
Alice in Wonderland which was given to her by
Carroll.
This is the version with Carroll's
own illustrations. The version we know is
illustrated by John Tenneil of the political satire
Punch. Alice's manuscript was bought by an
American collector and then bought back by the US
Library of Congress to donate to the British Museum
as a gift to recognize the courageous part Britain
played in standing up to fascism.
The two other books I have written
are modest:
1.
The Politics of
Planning,
published by Temple Smith, London 1977. This came
out of my experience making the Horizon documentary
'One Liverpool or Two'.
Strongly influenced by the doyen
of modern critics of urban planning, Jane Jacobs,
the Liverpool film was about a phony use of science
to justify a kind of planning that put cars above
buildings and modernistic concepts of architecture
above people. The book was widely praised and, in
another world, I would have gone on to specialize in
this area. From time to time a copy shows up on
Abebooks website.
And it, rooted in the '60s and
'70s, it should be much more out of date than it is.
Alas in 2014, blandness in many cities continues to
rule under the name of 'planning' and is driven by
considerations of property tax maximization. Who
cares what it looks like, or how it feels for
people?
2. For Derek Wyatt at Kingswood
Press, I wrote
The Cricketers
Guide to Baseball.
I loved cricket (which does not have to have
a conclusion -- that is changing now, 2024) and I
came to love baseball which, in an American way,
does have to have an ending. I am sure I was wrong
about much in this modest book. It sold its print
run and it was a privilege to be allowed to write
about how games are a metaphor for national
temperament. I am British born, |Scottish by
temperament and not domicile and feel deeply
associated with the USA of which I am a non-resident
citizen.
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